Maya Angelou

Maya Angelou is one of the most influential and talented African American writers of our modern day. Those who read Angelou‘s works should not pass the thought of where her influence came from. Maya Angelou’s work has been heavily affected by the era in which she began to write. The fifties and sixties were a tumultuous time for most African-Americans in the US. The civil-rights movement, led by the National Association for the Advancement of Colored People (NAACP), the National Urban League, Martin Luther King, Jr., and others, was instrumental in securing legislation, notably the Civil-Rights Acts of 1964 and 1968 and the Voting Rights Act of 1965.

Prohibiting discrimination in public accommodations, schools, employment, and voting for reasons of color, race, religion, or national origin. But all this was gained at a great price, the freedom of many saints who sacrificed for the greater cause, and many years of hard work.

Martin Luther King, Jr., Rosa Parks, Malcolm X, and others pushed for desegregation and equal rights in the face of strong white opposition, and it sometimes became violent. Many whites protested integration. In 1951, Florida NAACP state secretary Harry T. Moore and his wife, Harriet, were killed Christmas night in a bombing of their house. No arrests were ever made.

In 1953, black political leader Lamar D. Smith, 63, was shot to death in front of the Lincoln County Courthouse at Brookhaven, Mississippi, after seeking to qualify

blacks to vote. More than twenty people witnessed the shooting, including several blacks, but nobody admitted to having seen anything and no witnesses testified against the three white men charged with the murder. In 1954, black minister George W. Lee was killed at Belzoni, Mississippi, after a week of terror during which whites had vandalized blacks’ property.

The blacks had refused to send their children to racially segregated schools, the whites had retaliated by refusing credit to blacks at local stores, and Lee had campaigned for black voting rights. In 1956, Southern congressmen issue a manifesto March 11, pledging to use "all lawful means" to upset the Supreme Court’s 1954 Desegregation ruling. In 1957, Ku Klux Klansmen accused Alabama grocery-chain truck driver Willie Edwards, 25, of having made remarks to a white woman and forced him at pistol point January 23 to jump to his death from a bridge into the Alabama River. His body was found down river in late April.

In 1959, Atlanta integrated its buses on January 21, but the governor of Georgia asked citizens to continue "voluntary" segregation. In 1963, four black Alabama schoolchildren were killed and nineteen people injured September 15 when a bomb exploded at Birmingham’s 16th Street Baptist Church while 200 were attending Sunday services. The deaths provoked racial riots where police dogs were used to attack civil rights demonstrators. In 1964, an Atlanta restaurateur closed his restaurant rather than submit to federal government orders that he serve blacks as well as whites.

His opposition to integration propelled him into the governorship of Georgia in 1967, and when he was unable to succeed himself, he continued as lieutenant governor.

He passed out pickax handles on the street in front of his restaurant to partisans who would strike any blacks who try to enter.

This is the world in which Maya Angelou grew up. She was born Marguerite Johnson in St. Louis, Missouri. In the sixties, at the request of Dr. Martin Luther King, Jr., she became the northern coordinator for the Southern Christian Leadership Conference. In 1974, she was appointed by Gerald Ford to the Bicentennial Commission and later by Jimmy Carter to the Commission for International Woman of the Year.

In 1993, she wrote and delivered the poem, On the Pulse of the Morning, at the inauguration of President Clinton, at his request. She has also written, produced, directed, and starred in productions for stage, film, and television. Her most famous performance was probably in Roots on Broadway in 1977, for which she received a Tony award. Her writing is deeply personal, with short lines and a heavy dependence on rhythm and rhyme. Many critics regard it as overly simplistic and childish. "… at times her addiction to rhyme betrays her to banality" (Jayne,1996)

She seems most sure of herself when writing about her culture and heritage. "One soon discovers that she is on her surest ground when she ‘borrows’ various folk idioms and forms and thereby buttresses her poems by evoking aspects of a culture’s written and unwritten heritage" (Pamela,2000)

She often uses symbols that can also be found in the lyrics to songs that slaves sang in the fields while