Alfred Hitchcock

Films were a great form of entertainment from their debut in the early 1900’s and continued to grow more popular over the years. The film making business hit a growth period in the 1920’s. In Hollywood, the assembly line “studio” system of producing a movie was changed and refined, and the famous studious that dominate Hollywood production today, such as Universal Studious, were being put together. Censorship regulations were being formulated for the first time, and Wall Street began to take a more prominent, powerful role in film making. It was the era of short silent films that were backed by organists who could play a variety of famous composers such as Beethoven, and Sousa, and who mastered other sound affects for further enhancement of the movie. It was a time when movies came and went quickly and films that had no pretense of being art were made in mass. Nobody ever expected a movie to have an afterlife. They were made only for entertainment and to make money, and were considered disposable back then. It took decades to develop movies as a concept of art. During this time of rapid change in the film making business, a certain aspiring director began his dream of working with cinema. Eventually, the talented and mysterious director, Alfred Hitchcock, played a huge part in establishing his and others’ masterpieces as an art.

Born on August 13th, 1899, in London, England, Hitchcock’s childhood was that of a lower class Roman Catholic child who attended church regularly. His parents were greengrocers, William and Emma Hitchcock. A strict man, William once told a five year old Albert to go to the police station with a note from his father after some mischief making. Upon reading the note, a sergeant put young Alfred in a cell and left him there for ten minutes. The policeman returned only to tell him, “This is what happens to naughty boys.” This story and Hitchcock’s Roman Catholic background encompassed all the themes Hitchcock would later put in is his work such as terror inflicted upon the unknowing, and sometimes innocent victim; guilt, both real and the appearance of it; and fear and redemption. He grew up with his older siblings, William and Ellen Kathleen in Leytonstone, part of London’s East End. Fascinated by numbers and technology, Hitchcock was educated at the Jesuits’ St. Ignatius College, a day school for boys. He loved maps and times tables. He is said to have memorized the schedules of the English train lines. Most of his adolescence was spent working to help support his family. He left school at 16 though to study engineering and navigation at the University of London. Three years later, in 1914 when his dad died, he started work as a technical estimator at Henley Telegraph and Cable Company specializing in electric cables. He soon began to study art, economics, drawing, history and painting in the evenings. When his employers discovered he was taking art courses he was switched to the advertising department. There, he began to draw, designing ads for electric cables.

Hitchcock was drawn to the silver screen. He read every technical film magazine he could. He was fascinated bye the mystery fiction of Edgar Allan Poe and spent much time at the local cinema. American and German films particularly appealed to him. After learning that Famous Players Lasky, now Paramount, was opening a studio in London, he submitted a portfolio of his work. He was hired as a title designer for silent films. His passion for films and eagerness to learn led him to apply for the job of Assistant Director. This gave him the experience of film making from every angle.

At age 22, in1922, he started work on his directorial debut, the film Number 13. Although the two reeler was never completed, during production Hitchcock met his future wife Alma Reville, who also worked for the company. They were married in December of 1926 at Brompton Oratory. Alma had a good sense to detail and would go on to collaborate on all of Hitchcock’s projects including one of his own favorite, Psycho. She oversaw initial script development through final post-production. It is said that it was Alma who noticed Janet Leigh’s dead body twitch in Psycho which was immediately corrected. In 1928, their daughter Patricia was born. She later appeared in three of her father’s films including the previously mentioned Psycho.

Because Number 13 was never completed, the first film to bear the mark “Directed by Alfred Hitchcock” was The Pleasure Garden in 1925. A young Alfred’s uncanny wit and cinematic flare came forth in this movie. The year after, in 1926, The Mountain Eagle was released as Fear O’ God. Hitchcock hated this film, and called it “very bad.” In fact, no existence of this film is to be found.

Film number three, The Lodger, is the one that most people consider to be his first authentic film. It also marked his first cameo appearance, which later became a