Ingrid Bergman

Ingrid Bergman was born in Stockholm, Sweden on August 29, 1915. Her mother, Friedel Adler Bergman, a Hamburg, Germany native, died when Ingrid was just three years old. Ingrid’s father, Justus Samuel Bergman, a Swede, raised Ingrid until his death, when she was 12. Justus, who owned a photography shop, encouraged Ingrid’s artistic pursuits and even caught some scenes of her as a small child with a motion picture camera. Many years later, the famous director Ingmar Bergman (no relation), with whom Ingrid worked, compiled and edited these home movies. After her father’s death, Ingrid was left to the care of an unmarried aunt, who died within months, and she eventually spent her teenage years with an uncle and his family.

As a teenager, Ingrid appeared as a film extra, in addition to acting in productions at the private school she attended. After graduating in 1933, she attended the Royal Dramatic Theater School in Stockholm for a year, during which time she made her professional stage debut. Her first speaking role in a film came in Swedish director Gustaf Molander’s "Munkbrogreven" in 1935, in which she played the maid of a hotel that sold illegal liquor.

The Move to Hollywood

In 1936, Ingrid made the film that would change her life. The picture "Intermezzo," written and directed by Molander, tells the story of a famous violinist who has an affair with his daughter’s piano teacher, played by Ingrid. Her performance caught the attention of Hollywood film producer David O. Selznick, who bought the rights to remake the film in Hollywood with Ingrid in the starring role. Between making the two versions of "Intermezzo, Ingrid worked on the Swedish films "En Enda Natt" ("Only One Night") and "En Kvinnas Ansikte"("A Woman’s Face), among others, and the German film Die Vier Gesellen.

In 1939, at David O. Selznick’s request, Ingrid made the transition to Hollywood. With this move she began a career that would span five decades, win her three Oscars, two Emmys and a Tony Award, and see her image go “from saint to whore and back to saint again,” as Ingrid once described