Snyder on His Relationship

When I was a graduate student at Berkeley studying Chinese and Japanese and planning to go to the Orient, in a perhaps excessively orderly fashion I decided I should get my teeth fixed. I didn't realize they had dentists all over the place. Anyway, I signed up with the University of California dental school, and for two years I bicycled from Berkeley to San Francisco once a week and put myself in the hands of a Japanese-American dental student. On one of those occasions I took along New World Writing No. 7, and I read the little thing by a fellow named Jean-Louis, which was one of the most entertaining things I'd read in a long time, and it always stuck in my mind. I didn't know anything of Jack or Allen at that time, but I never forgot that little piece of prose, "Jazz of the Beat Generation." It was the first time I saw the term Beat Generation. What I liked was the writing, of course, and the energy that was in it, and the evocation of people. Of course it didn't say "Jack Kerouac," it said "Jean-Louis."

Later I met Allen. Shortly after that, I met Jack. When I met Jack, and hearing Allen speak of his projects and hearing Jack speak, I flashed that he was Jean-Louis.

Allen asked Rexroth who was doing interesting poetry in the area. Allen had the idea of trying to put together some kind of poetry reading, and Kenneth mentioned my name as one person he might want to look up. So Allen just turned up at my place when I was fixing my bicycle in the backyard, and said that he had been talking to Kenneth. So we sat down and started comparing who we knew and what we were thinking about.

Jack was, in a sense, a twentieth-century American Lithographer. And that's why maybe those novels will stand up, because they will be one of the best statements of the myth of the twentieth century. just as Ginsberg represents one clear archetypal aspect of twentieth century America, I think Jack saw me, in a funny way,