The Harlem Renaissance

The Harlem Renaissance was named after the anthology The New Negro, edited by Alain Locke in 1925. Centered in the Harlem neighborhood of New York City, the movement impacted urban centers throughout the United States. Across the cultural spectrum (literature, drama, music, visual art, dance) and also in the realm of social thought (sociology, historiography, philosophy), artists and intellectuals found new ways to explore the historical experiences of black America and the contemporary experiences of black life in the urban North. Challenging white paternalism and racism, African-American artists and intellectuals rejected merely imitating the styles of Europeans and white Americans and instead celebrated black dignity and creativity. Asserting their freedom to express themselves on their own terms as artists and intellectuals, they explored their identities as black Americans, celebrating the black culture that had emerged out of slavery and their cultural ties to Africa.

The Harlem Renaissance had a profound impact not only on African-American culture but also on the cultures of the African diaspora as a whole. Afro-Caribbean artists and intellectuals