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We Must Creep to Be Heard

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We Must Creep to be Heard

It’s 2:00am and I cannot sleep. I toss and turn while the question, “Why didn’t you stand up for yourself?” keeps playing over and over in my mind. The picture in my mind of a subjugated woman who feebly attempts to fight against feminine oppression and her impending insanity is vivid and disturbing and continues to slap against the recesses of my mind with an angry hand. What was Charlotte Perkins Gilman attempting to convey to her readers when she wrote “The Yellow Wallpaper” and created the characters of the narrator, her husband John, Mary and her sister-in-law Jennie? Obviously, in an exaggerated version of her own experience with post-partum depression and its prescribed “rest cure”, Gilman speaks of a world in which the female is forced into a role of the submissive counterpart to male dominance. In the following pages, I will describe how Gilman has effectively created characters that draw us into their view of control, dominance and frustrated silence against imprisonment in a paternalistic society, and how we are given a view into a perfectly healthy mind that goes awry.

To begin with, Gilman created the narrator as a nearly anonymous identity; we know her only as John’s wife. This power imbalance extends to other areas of their relationship. John dominates her in a progressively patronizing manner. His character is displayed as strong, practical

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