A Doll’s House

A Doll’s House, a play by Henrik Ibsen, tells the story of Nora, the wife of Torvald Helmer, who is an adult living as a child, kept as a doll by her husband. She is expected to be content and happy living in the world Torvald has created for her. By studying the play and comparing and contrasting the versions presented in the video and the live performance, one can analyze the different aspects of it.

Ibsen’s purpose for writing this piece is to entertain while pointing out an injustice. Through the events of the play, Nora becomes increasingly aware of the confines in which Torvald has placed her. He has made her a doll in her own house, one that is expected to keep happy and busy as a songbird, who acts and does as he deems proper. As a result of this, she is often pointed out to be very simple by the other characters. Her friend Christina calls her “a mere child,” showing how naпve she appears to be to the hardships in life. To prove to her friend that she really has achieved something on her own to be proud of, Nora tells Christina of her secret borrowing of money for the trip to Italy that saved Torvald’s life. Everyone believed that Nora had gotten the money from her father, while actually she found someone to borrow the money from and had been paying her debt back. She did so by spending frugally and always saving some of the money Torvald had given her and by doing odd jobs. She explained to Christine,

When Torvald gave me money for clothes and so on, I never spent more than half of it; I always bought the simplest things…and besides that, I made money in other ways. Last winter…I got a heap of copying to do. I shut myself up every evening and wrote far into the night…[I]t was splendid to work in that way and earn money. I almost felt as if I was a man.

Later, while discussing his illness with her, Dr. Rank actually comments that Nora is “deeper than…[he] thought.” He too looked at her as like a child. The climax of the story comes when Torvald learns of Nora’s forgery and yells angrily at her. He then finds the promissory note, returned by Krogstad, and realizes that no one has anything over his head any longer. During this episode, Nora realizes what has been going on: that she has become Torvald’s “doll” which plays around his “doll” house. She points out to him:

You have never understood me. I have had great injustice done me, Torvald; first by father, and then by you…He used to tell me all his opinions, and I held the same opinions…He used to call me his doll-child, and played with me as I played with my dolls…Then…I passed from father’s hands into yours. You settled everything according to your taste; and I got the same tastes as you…I lived by performing tricks for you, Torvald. But you would have it so. You and father have done me a great wrong. It’s your fault that my life has been wasted…[O]ur house has been nothing but a play-room. Here I have been your doll-wife, just as at home I used to be papa’s doll-child…I thought it fun when you played with me…

Here, Nora pulls together the tragic circumstances. She sees that she was never truly happy in the house, just content. Her father kept her as a child would a doll, and Torvald continued this when they were married. They formed her opinions for her, set expectations to which she was supposed to adhere, and wrote a vague script of how she was supposed to act. She was like a puppet, with no thoughts or actions of her own. When she finally realizes the injustice being done to her, she decides to free herself.

The different versions of A Doll’s House studied offer different points of view. The stage version presents a third person-limited point of view. The audience knows everything going on the scene being played out before them, but cannot see beyond the set. They see the movements and hear the dialogue between all the characters within the limitations of the stage. The video offers a different point of view. We see only what the camera wants us to see. It shows us close-up shots of the actors and actresses while they are talking and many different rooms instead of just the one seen in the live production. This can both an advantage and a disadvantage. While it allows for more focus to be put on the person speaking, it does not allow the audience to see how the other characters are reacting to this, as in the case of a live performance.

The genre of A Doll’s House is modern tragedy. Nora seeks to secure a sense of personal dignity when she decides to leave Torvald and accepts responsibility for her actions. Her husband had been treating her like a child and she wanted to break free. She reveals the tragic circumstances of the situation in the aforementioned passage at the end of the play where she explains to Torvald how both he and her father have kept her as