Kafka

The works of Franz Kafka, especially his two stories Das Urteil (1913; The Judgment) and Die Verwandlung (1915; The Metamorphosis), owe much to Expressionism and are often considered in the context of that movement. But his writing is better understood as an early phase of experimental Modernism. Kafka's central concern, like that of other 20th-century Modernists, is the problematic nature of human subjectivity and the limitations of individual perception and knowledge. His striking narrative technique, first developed in The Judgment, of presenting reality from a limited third-person point of view enables readers to identify with his oppressed and passive protagonists while also recognizing that their view is deeply flawed. Kafka's unfinished novels, especially Der Prozess (1925; The Trial) and Das Schloss (1926; The Castle), explore further aspects of the individual's inescapable entrapment in subjectivity. Like many other Modernists, Kafka also treated problems of authority and power. His characters feel hopelessly subjugated to inexplicable forces associated with patriarchal social structures and an overly mechanized and bureaucratic