12 Angry Men

May 20, 1999 Twelve Angry Men In the film Twelve Angry Men, I believe justice was served. Without juror number eight, however, the outcome most assuredly would have been different. The subtle force and confidence that he displayed allowed the narrow minds of the other eleven jurors to be broadened. From the beginning of the film, juror number eight displayed his interest in the case, not his personal engagements. His opening part by the window foreshadowed his deep concern for the defendant, an eighteen year-old Hispanic gentleman accused of stabbing his father in a fit of rage. While most of the jurors were ready to leave so as not to further interrupt their schedules, Henry Fonda was willing to give as much time as it would take to analyze this seemingly simple decision. The jurors took a vote and saw the ratio at eleven for guilty and only one for not guilty. When they repeatedly attacked his point of view, his starting defense was that the boy was innocent until proven guilty, not the opposite as the others had seen it. After Henry Fonda instilled doubt in the mind of another juror, the two worked together to weaken the barriers of hatred and prejudice that prevented them from seeing the truth. The jurors changed their minds one at a time until the ratio stood again at eleven to one, this time in favor of acquittal. At this point, the jurors who believed the defendant was not guilty worked together to prove to the one opposing man that justice would only be found if they returned a verdict of not guilty. They proved this man wrong by using his personal experiences in life to draw him into a series of deadly contradictions. I do not believe that most juries today are as concerned with the fate of the accused. Most people today lack a sense of concern for people and