Hipocritical Views of Marixism

Born in Milk Street, London, Thomas More was the eldest son of Sir John More, a successful lawyer who served as a judge in the King's Bench court. More was educated at St Anthony's School and was later a page in the service of John Morton, the Archbishop of Canterbury, who declared that young Thomas would become a "marvellous man". Thomas attended the University of Oxford for two years as a member of Canterbury Hall (subsequently absorbed by Christ Church), where he studied Latin and logic. He then returned to London, where he studied law with his father and was admitted to Lincoln's Inn in 1496. In 1501 More became a barrister. To his father's great displeasure, More seriously contemplated abandoning his legal career in order to become a monk. For about four years he lodged at the London Charterhouse and he also considered joining the Franciscan order. Perhaps because he judged himself incapable of celibacy, More finally decided to marry in 1505, but for the rest of his life he continued to observe many ascetical practices, including self-punishment: he wore a hair shirt every day and occasionally engaged in flagellation.

More had four children by his first wife, Jane Colt, who died in 1511. He remarried almost immediately, to a rich widow named Alice Middleton who was several years his senior. More and Alice Middleton did not have children together, though More raised Alice's daughter, from her previous marriage, as his own. More provided his daughters with an excellent classical education, at a time when such learning was usually reserved for men.

He wrote poetry, both Latin and English.

[edit] Early political career

From 1510 to 1518, More served as one of the two undersheriffs of the city of London, a position of considerable responsibility in which he earned a reputation as an honest and effective public servant. In 1517 More entered the king's service as counsellor and "personal servant". After undeiiirtaking a diplomatic mission to Holy Roman Emperor Charles V, More was knighted and made undertreasurer in 1521. As secretary and personal advisor to King Henry VIII, More became increasingly influential in the government, welcoming foreign diplomats, drafting official documents, and serving as a liaison between the king and his Lord Chancellor: Thomas Cardinal Wolsey, the Archbishop of York.

In 1523 More became the Speaker of the House of Commons. He later served as high steward for the universities of Oxford and Cambridge. In 1525 he became chancellor of the Duchy of Lancaster, a position that entailed administrative and judicial control of much of northern England.

[edit] Scholarly and literary work

Woodcut by Ambrosius Holbein for a 1518 edition of Utopia. The traveler Raphael Hythloday is depicted in the lower left-hand corner describing to a listener the island of Utopia, whose layout is schematically shown above him.

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Woodcut by Ambrosius Holbein for a 1518 edition of Utopia. The traveler Raphael Hythloday is depicted in the lower left-hand corner describing to a listener the island of Utopia, whose layout is schematically shown above him.

More combined his busy political career with a rich scholarly and literary production. His writing and scholarship earned him a considerable reputation as a Christian humanist in continental Europe, and his friend Erasmus of Rotterdam dedicated his masterpiece, In Praise of Folly, to him. (Indeed, the title of Erasmus's book is partly a play on More's name, the word folly being moria in Greek.) Erasmus also described More as a model man of letters in his communications with other European humanists. The humanistic project embraced by Erasmus and Thomas More sought to reexamine and revitalize Christian theology by studying the Bible and the writings of the Church Fathers in the light of classical Greek tradition in literature and philosophy. More and Erasmus collaborated on a Latin translation of the works of Lucian, which was published in Paris in 1506.

[edit] History of King Richard III

Between 1513 and 1518, More worked on a History of King Richard III, an unfinished piece of historiography which heavily influenced William Shakespeare's play Richard III. Both More's and Shakespeare's works are controversial among modern historians for their exceedingly unflattering portrayal of King Richard, a bias due at least in part to the authors' allegiance to the reigning Tudor dynasty, which had wrested the throne from Richard at the end of the Wars of the Roses.

More's work, however, barely mentions King Henry VII, the first Tudor king, perhaps