Spike Lee Analysis

The thread of African American history is spun from two sources: the struggle to define a place in the wider American life and the effort to maintain an authentic black presence in the larger American culture. This duality has meaning in the realm of filmmaking because the tools of cinema, film and cameras, cost more than the paper and pencil tools of writers. It is the cost of doing business that affects, indeed, threatens the black presence on the screen. The costly collaborative nature of filmmaking has blurred the definition of a "black" movie. Is it black if it is merely angled toward blacks, or must it be made by blacks, or both?

Spike Lee has established himself as one of Hollywood's most important and influential filmmakers in the past decade. In the critically acclaimed box office hit Do The Right Thing (1989) Spike Lee, combined drama and humor to expose the absurdity, complexity and potential tragedy of racism during the hottest day of a racially tense year in New York City, the film's ensemble cast, including Lee himself, Danny Aiello, Samuel L. Jackson, Ossie Davis, Ruby Dee, Giancarlo Esposito, Rosie Perez, brilliantly plays out the edgy negotiations and dramas of a racially and culturally diverse working-class in a Brooklyn neighborhood. Do The Right Thing confirmed Lee as one of the finest film makers to emerge from the decade, while its box office success helped stir up a new wave of 1990s African- American cinema.

Do the Right Thing (1989) is arguably Spike Lee's best feature film, and one of the most popular and celebrated examples of African America's ongoing 'new black film wave'. Contrary to Hollywood's markedly cautious treatment