The Conflicts of All Hearts

The Conflicts of All Hearts

William Faulkner, recognized as one of the greatest writers of all time, once made a speech as he accepted his Nobel prize for writing in which he stated that a great piece of writing should contain the truths of the heart and the conflicts that arise over these truths. These truths were love, honor, pity, pride, compassion and sacrifice. Truly it would be hard to argue that a story without these truths would be considered even a good story let alone a great one. So the question brought forward is whether Faulkner uses his own truths of the heart to make his story “Barn Burning.” Clearly the answer to this question is yes; his use of the truths of the heart are prevalent

throughout the story and to illustrate this to the reader we will focus in on two of them love and pride.

There are many places throughout

the story which love clearly comes in conflict with morality, kinship, and even other truths of the heart. The first of these, and probably the most dramatic, is in the first few paragraphs of the story. A young boy named Sarty, who is the son of Abner Snopes, the barn burner of the story, is called to the stand to testify about his father’s behavior. On his way to the stand the reader is clued into what the boy is thinking and it is very clear he is feircely aligned with his father or his “blood kin.” As he approaches the stand Sarty has many thoughts running through his head about how the Judge is the enemy “our enemy he thought in that despair; ourn! Mine and hisn both! He’s my father!” (Faulkner 161) It is clear that the love of his father is getting in the way of his thoughts of morality because he is almost willing to lie for his father. However Sarty nearly confesses that his father has been burning barns, but before he could say anything the judge dismissed him. It was right after this that his love for his father was tested once again.

Just outside the court room, after his father has been dismissed of all the charges, Sarty hears some boys calling his father a barn burner. Sarty quickly slips into a rage and begins a fight with these boys until he is knocked down by them and is taken away from the fight. This is when the importance of blood kin to Sarty becomes very clear. Sarty felt as though he was not just protecting his father’s name and honor but also his own and that of his sisters and mother. The reader discovers Sarty knows of his father’s guilt which is illustrated in the story by the following few lines “Forever he thought. Maybe he’s done satisfied now, now that he has”(Faulkner 163) Sarty cannot complete this thought because it would bring forward the idea that not only is his father a barn burner but also that he has “already arranged to make a crop on another farm before he” (Faulkner 163) once again the reader gets cut off before his thought is completed which is simply that his father has been planning the burnings even to the extent of having a new farm to travel to before the land owner has ever crossed him. It is because of his love for his kin that Sarty is willing to shed his own blood in a fight with these boys even to defend a man that he knows is guilty of everything they have accused him of.

Pride is very intermingled within everything in this story. It is clear that many of Abner’s barn burning antics are directly related to his feelings of his pride being suppressed. In addition to the little hints that we receive throughout the story, one of the places in which we are truly clued into why Abner continually burns barns is during the scene in which he has created a small campfire for his family to share for the night. In this scene the size of the fire was brought into question, why always such a small fire. The first and most logical to most is the avoidance of being detected. If Abner was in the war a small fire would help avoid detection from enemy troops and this habit would probably live on. However the true reason relies heavily on Abner’s sense of pride and self-worth. Faulkner says the fire “spoke to some deep mainspring”(164) and it was “the one weapon