Fasting, Feasting by Anita Desai

"Fasting, Feasting" by Anita Desai

Unhappy Indian families are unhappy in their own way, too, the author demonstrates in this Booker Prize finalist.

By Sylvia Brownrigg

•

Anita Desai is a wonderfully subtle writer who achieves her powerful and poignant effects by stealth rather than by direct action. Her latest novel, "Fasting, Feasting," a finalist for last year's Booker Prize, tells the apparently spare story of one Indian family and the varying fates of its two daughters and single son; it is only on the novel's final, quiet page that Desai's intricate structure becomes clear and the complexity of her emotional insight makes itself felt.

She opens her story with a busy domestic scene, as the parents -- who have such a fused authority that they are often referred to simply as MamaPapa -- fussily ask whether daughter Uma has given orders to the cook and prepared a package for son Arun, who is studying in America. In the novel's present tense, Uma is a gray-haired spinster living under MamaPapa's demanding rule. In flashbacks scattered through the novel's first part, we gradually see how Uma arrived at this imprisoned state.

________________________________________

________________________________________

Uma is an eager, thwarted character of genuine pathos: Clumsy, nearsighted, slow, she is treated with neglectful impatience by her parents and with some condescension by her smart and pretty younger sister, Aruna. Her greatest happinesses occur in moments of near oblivion, as when she succumbs to a fit in an ashram to which her pious Aunt Mira-Masi has taken her (the fit is interpreted as possession by the Lord), or when she nearly drowns in the Ganges during a religious ritual but is saved, much to her dismay, by scolding relatives.

Uma resembles the good, frustrated woman in a Victorian novel, which is unsurprising given this family's traditional structure. When Arun is born, the family's resources are poured into his physical and intellectual nourishment. For the girls, the sole future is marriage. The arranged marriages produce their own painful comedy when Uma proves difficult to pair off: "Mama worked hard at trying to dispose of Uma, sent her photograph around to everyone who advertised ... but it was always returned with the comment 'We are looking for someone taller/fairer/more educated, for Sanju/Pinku/Dimpu.'" Twice the family is duped into handing over a dowry as part of an unsuccessful engagement -- a shame that clings to Uma forever after, though she is blameless in both situations. Inevitably, Aruna's marriage is a glamorous triumph, taking her off to a new metropolitan life in Bombay.

Although perpetually cheated of opportunities -- a benign doctor's attempt to give Uma a simple job is swiftly quashed by MamaPapa -- Uma is not