La Confidential
By: Bred • Case Study • 366 Words • June 7, 2010 • 1,883 Views
La Confidential
Books
Abbott, Megan E.
The street was mine: white masculinity in hardboiled fiction and film noir New York: Palgrave Macmillan, 2002.
--MAIN: PS374.D4 A23 2002
Agostinelli, Alessandro.
Una filosofia del cinema americano : individualismo e noir Pisa : ETS, 2004. Scritture della visione ; 6
--PFA PN1995.9.F54.A36 2004
Alloway, Lawrence
Violent America: The Movies, 1946-1964. New York, Museum of Modern Art; distributed by New York Graphic Society, Greenwich, Conn. [1971]
--Main Stack PN1993.5.U6.A84
Arthur, Paul.
"The Gun in the Briefcase: Or, the Inscription of Class in Film Noir." The Hidden Foundation: Cinema and the Question of Class. Edited by David E. James and Rick Berg. Minneapolis: University of Minnesota Press, c1996. pp: 90-113.
--Main Stack PN1995.9.P6.H5 1996
Arthur, Paul.
Murder's Tongue: Identity, Death, and the City in Film Noir." In: Violence and American cinema / edited by J. David Slocum. pp: 153-75.New York: Routledge, 2001.AFI film readers.
--Main Stack PN1995.9.V5.V56 2001
Bassoff, Lawrence.
Crime Scenes: Movie Poster Art of the Film Noir: The Classic Period, 1941-1959 / written and collected by Lawrence Bassoff; foreword with Robert Wise. Beverly Hills, CA: L. Bassoff Collection, c1997.
--UCB Moffitt f PN1995.9.P5 B379 1997