Odysseus Vs. Gilgamesh

Character is built in several different ways. Some may view character as how one handles a certain hectic situation or how well one person treats another. A true definition character contains these elements, but one’s character is built and developed mainly on how one picks and chooses his time to act and his time to wait. This definition refers to restraint and discipline. Gilgamesh and Homer’s The Odyssey uses many instances in which the main characters must use incredible restraint to protect not only themselves, but also the ones they care for and love. Although both stories use this theme of self-control and discipline to develop certain personalities, each one tells a different account of how these characters are viewed by their fellow men and women and the rewards that come from showing the traits of restraint and self-will. In Gilgamesh, the character that holds back and exhibits patience is viewed as a coward, as Gilgamesh believes, and is a sign of a lack of bravery and confidence. The way that patience is portrayed in Gilgamesh reflects how the society of the time feels about everything in their lives. The author of this story wants the reader to believe that one must not hesitate and must act decisively and quickly. Opposing this belief, Odysseus holds back emotions of rage and homesickness in order to complete the task at hand. Homer, living in Greek society, understood that his people thought more about the problem before coming to a quick conclusion and then acting on it impulsively. So, although both stories repeat the concepts of self-restraint and discipline as character building qualities, they differ in the way that these attributes build or weaken a personality.

The story of Gilgamesh begins in the ancient Middle East, a land that was mainly war-faring and used “take by force” tactics to gain leadership, power, and fame. Since this was the prevailing opinions, the authors, few may it be, tended to define their heroes as men of quick, vicious action. Those who hesitated were run over by those who didn’t. Character was built based on one’s ability to act quickly and without uncertainty. Gilgamesh was involved in several situations in which he could choose to wait and act later or push forward and complete the task at hand. Gilgamesh’s brother, Enkidu, also did not use restraint in several of his performances. The very first instance of Enkidu doing such is when he is tempted by the harlot. Enkidu is half man and half beast when this happens. “There he is. Now, woman, make your breasts bare, have no shame, do not delay, but welcome his love… She was not ashamed to take him, she made herself naked and welcomed his eagerness” (Gilgamesh 20). Enkidu did not refrain in the least from leaving his animal ways to go to the tempting woman. When he tried to return to the beast after his six days of passion, they rejected him, for he was now fully human. Because of his lack of will-power, Enkidu lost his life in the wild, but he also gained his life in the manly world. His character as a human was reinforced and was now stronger and wiser than before. A second example of a lack of patience comes from Gilgamesh in his decision to travel into the Cedar Forest and fight the terrible Humbaba. One day, he decides to fulfill his destiny and make a name for himself, and the next day, he is on his way. Gilgamesh does not think of the recourses of his actions and does not plan his adventure carefully and wisely. Even the elders tell him, “you are young, your courage carries you too far, you cannot know what this enterprise means which you plan” (Gilgamesh 25). As they continued to warn him of Humbaba’s strength, Gilgamesh paid no attention. Gilgamesh continues on with his plans, and Enkidu and Gilgamesh slay Humbaba. They are welcomed home with great appreciation by the people of Uruk, and all know that there character cannot be topped. Here, as the story is told, the elders doubted him and warned him, Gilgamesh paid no attention, and Humbaba was defeated. The characters of Enkidu and Gilgamesh were made stronger by this act, even though they showed little restraint in acting upon it. A third occurrence of character building comes after the death of Enkidu. Gilgamesh is so distraught with the loss of his brother, and his mind is not clear, for he has grieved for days and days. He has only thought of his brother and not of his duties as the ruler of Uruk. After several days of unclear thought, Gilgamesh decides that the only thing he can do is make an extremely long and dangerous voyage across the mountains to find Utnapishtim, the only man who can put Gilgamesh’s despair to rest. Instead of showing discipline and leading his people, he picks up and takes off on a long trek across the Mashu Mountains. One instance during his journey that’s shows a terrible lack of discipline happens when Siduri tells him that he probably won’t