Sling Blade - Film Directed by and Screen Play by Billy Bob Thornton

Sling Blade

Film directed by and screen play by Billy Bob Thornton.

Theme

Sling Blade’s main theme is the redemption of Karl’s lost childhood. Karl Childer’s overly religious parents believed he was a punishment from God. They severely abused him, treated him like an animal, and forced him to live in a shed in solitude. Everyone in town picked on him and called him names. He was seen as a “retard” or slower than others. He had little to call his own. His only possessions were a Bible and several books on Christmas and carpentry. Karl was taught the Bible as a child, but it wasn’t really the Bible. The stories they told him were not in the Bible. His parents had made up their own stories and had led him astray on the rights and wrongs of life.

When Karl was 12 years old interrupted what he believed to be the raping of his mother. He took charge and killed the man with a “sling blade”. He than found out his mother had wanted it so he killed her too. When he killed his mother and her lover he thought he was doing the right thing. Karl believed that if you have to sacrifice to do the right thing than you should do it. Karl was locked away in a “nut house” for the next 25 years for rehabilitation and correction.

After Karl’s release he quickly made a new friend, Frank. The young boy accepted Karl with out question because he seemed to be more childlike than man. The two become soul mates. Karl related to Frank through his childlike manner as well as his parental setup. Frank’s mother was a widow dating an alcoholic, abusive man, Doyle. Karl saw himself in Frank and decided to watch over him. The parallelism between the two characters was shown throughout the movie. The love they shared will save them. The “boys” faced their troubles on a simple level. They avoided the complications of adult views and judgments.

Karl had read the Bible and believed he knew the difference between right and wrong, but was faced with the problem of protecting Frank from a painful future with Doyle. Karl knew that Doyle would manage to poison Frank’s life, or worse, just as Karl’s parents did to him. He tried to reconcile his own simple moral code with everything he had been taught about right and wrong, and must decide whether to stand by and watch, or step in to protect the child. He decided to rescue his best friend, Frank, from his destiny. He attacked Doyle with two chops of his switchblade.

Through a deadly crime, Karl freed his young friend from a life of pain and despair, only to end up back where he began at the “nut house”. The choice of right or wrong seemed to make good and evil equal.

The main point of Sling Blade was to convey the message that sometimes wrong can be right. Symbolically, killing with the switchblade represents for cutting away the troubles that get in the way. Sling Blade was a subjective film. It seduces the audience to emphasize with Frank and Karl and think the way the director wants.

Elements

The first element I found that supported the theme was the script. The actors’ dialogues shaped the characters’ roles. Karl adopted a new dialect. He picked up a backwoods, disturbed, monotone, punctuated by a throaty “um-hmmm”. Karl’s dialogue showed that he spoke in a simple way. He avoided complicated, fancy language. He spoke like a child, slow and easy, while the others in the movie indicated more education through their speaking. Karl explained the way he was treated as a child, his love for Frank, and his fear of Doyle. His moments of silence revealed his reflection, his caged up behavior, and his childlike manner. Karl’s words shaped him as gentle and to the point. Karl told Frank’s mamma she’s good for Frank. He let people know their worth. At the end Karl stated, “the world was too big”. He couldn’t deal with the world on his own. He needed the support and love of a family.

The other characters’ scripts related to Karl’s redemption, too. Doyle’s script reminded Karl of his father. Doyle often called Karl a “retard” and his father did the same. Linda’s script reminded Karl of the wonderful mother he never had. She told him she appreciated him and was glad he was staying with them. Frank’s script dealt with his friendship with Karl. They talked about football, Doyle, and other childhood worries. He allowed Karl to be a child again.

The sound also supported the theme. In the beginning the music was low and turned into the sound of a heartbeat. It expressed the beat of life going on and on. After Karl was released, upbeat music began in the background to show he’s free. Karl felt lost so he returned to the hospital with sad, slow piano music. Towards