Theory of Art and Design Go Hand In Hand In Some Epochs More Than Others. Which Eras Reveal the Closest Bond Between Art and Design?

"Art and design go hand in hand in some epochs more than others. Which period reveals the strongest bond between art and design?"

Traditionally art and design have been used by different social and cultural groups at specific times, in different forms, to construct and communicate their identities; as well as to support and demonstrate their beliefs, values and social ideals. This relationship between design and art has historically been indistinguishable; the difference is an outcome of modernism, However, it seems the strongest bonds between the two is revealed through the ways in which society and culture have used these media to express contemporary religious and political attitudes and thinking, and it seems that these respective links are most apparent within the Gothic and Roman epochs respectively. It seems that within these periods, we can observe the strongest bonds of design and art collectively constructing and communicating the respective identities of the people, and their religious and political environments. Art and design may be used individually to create an object; yet it is when these individual objects are viewed cooperatively within a specific context that the strongest bonds are revealed;

It seems that it is within the Gothic period whereby the religious idea and beliefs of the community are most evident and strongly demonstrated within the collective art and design of the epoch. Te most obvious example is the Gothic Cathedral, which seems to do no les than to "epitomize medieval civilization" (Honour and Fleming, 2002, pg 391). Yet this importance and symbolism within the reflection of the epoch is not restricted to the architectural design of the physical building, but it extends much further, into the caravig, sculptures and of course